Narsiesse has a Canadian First Nations background which is being referred to from the get-go via the ‘moving image’ of a running buffalo accompanying the title The Winemaker as well as with a relic/necklace I’m assuming is containing a buffalo tooth and via further artifacts later on.
At some stage a female character is heard via a voice-over stating: “By the pricking of my thumbs, something wicked this way comes. Open locks, whoever knocks!” Yes we have arrived in Macbeth and hence William Shakespeare country. The boy is played by Narsiesse’s real life son called Laertes, yes the man has a passion for Shakespeare. Narsiesse himself plays Vic, perhaps a reference to The Old Vic in London famous for staging a lot of Shakespeare’s plays?
Some of the symbols and references to Japanese culture that were clearly in there I was less familiar with, perhaps they will be further explained in the future miniseries and or feature version.
Although the film was shot on an I-Phone the result looks great and contains some impressively executed transitions. A shot of the moon reflected in a puddle of water transitions from the circular moon into the circle of the iris of an eye and further into a drop of water dripping from a winemaking machine. It made me think somewhat of the famous series of transitions in Citizen Kane in which every transition focussing on the lit window and in which each transition moves the viewer closer to the bedroom window of the Xanadu palace in which Charles Foster Kane is to utter his puzzling last words: Rosebud. Perhaps the main reason it reminded me of the Citizen Kane opening series of transitions is that it also contains one of a reflection in the water.
If you are expecting a straightforward short film you may be dissapointed as the short seems to be conceived more as a teaser for things to come then it is a stand alone short film. I see Narsiesse’s project as if it were a ‘Matroesjka in reverse’. A Matroesjka is perhaps more commonly known as a Russian Doll. You have a big doll containing a smaller doll which in turn contains an even smaller doll and so on. Here instead we start off with the smallest doll, the short film that needs to excite the audience to want to see the next doll(s), the 4-part mini web series and culminating in the biggest doll, the feature, each adding new layers and meaning. It’s working for me so far.