- Il Gattopardo. (The Leopard)
(Luchino Visconti) - The Victors.
(Carl Foreman) - Tystnaden. (The Silence)
(Ingmar Bergman) - The Birds.
(Alfred Hitchcock) - Tengoku to jigoku. (High And Low)
(Akira Kurosawa) - Le Mani sulla città.
(Franceso Rosi) - Le Mépris. (Contempt) + Les Carabiniers.
(Jean-Luc Godard) - Otto e mezzo. (8 ½)
(Federico Fellini) - Pasazerka. (Passenger)
(Andrzej Munk) - It’s a Mad, Mad, Mad, Mad World.
(Stanley Kramer)Would not have been misplaced in my top 10 either / Hadden eveneens niet misstaan in mijn top 10:
Muriel, ou le temps d’un retour.
(Alain Resnais)
Nippon konchûki. (The Insect Woman)
(Shohei Imamura)
The Cool World.
(Shirley Clarke)
Nackt unter Wölfen. (Naked among Wolves)
(Frank Beyer)
El Verdugo. (The Executioner)
(Luis García Berlanga)
Le Doulos.
(Jean-Pierre Melville)
Irma la Douce.
(Billy Wilder)
Charade.
(Stanley Donen)
Landru.
(Claude Chabrol)
Le Journal d’une femme de chambre.
(Luis Buñuel)
The Haunting.
(Robert Wise)
To Kill a Mockingbird.
(Robert Mulligan)
The Servant.
(Joseph Losey)
Mélodie en sous-sol. (Any Number Can Win)
(Henri Verneuil)
Le Petit Soldat. (The Little Soldier)
(Jean-Luc Godard)
Not bad either / Voorts ook genoten van:
Billy Liar. (John Schlesinger)
Le Meurtrier. (Enough Rope) (Claude Autant-Lara)
From Russia with Love. (Terence Young)
L’aîné des Ferchaux. (Jean-Pierre Melville)
55 Days at Peking. (Nicolas Ray)
Ro.Go.Pa.G. (Roberto Rosselini, Jean-Luc Godard, Pier Paolo Pasolini, Ugo Gregoretti)
Kvarteret Korpen. (Raven’s End) (Bo Widerberg)
Shock Corridor. (Samuel Fuller)
Le Feu Follet. (The Fire within) (Louis Malle)
Tom Jones. (Tony Richardson)
Nattvardsgästerna. (White Light) (Ingmar Bergman)
L’ape regina. (The Conjugal Bed) (Marco Ferreri)
This Sporting Life. (Lindsay Anderson)
Cleopatra. (Joseph L. Mankiewicz)
America America. (Elia Kazan)
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